《fortepiano》怎以读
英 [ˌfɔ:teɪ'pjɑ:nəʊ]
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美 [ˌfɔrteɪ'pjɑnoʊ]
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《fortepiano》是什么意思
(18世纪末流行的)钢琴；
英英释义
Fortepiano
- The expression fortepiano (sometimes called forte piano) is a sudden dynamic change used in a musical score, usually with the abbreviation fp, to designate a section of music in which the music should be played loudly (forte), then immediately softly (piano).Collins Encyclopedia of Music ISBN 0-907486-50-9 Page 217 It is often followed by a crescendo.
以上来源于:Wikipedia
学习《fortepiano》怎么用
权威例句
Fortepiano
Fortepiano
Fortepiano
The Viennese Fortepiano of the Late 18th Century
The Invention of the Fortepiano as Intellectual History
Robert, Clara, Johannes and a fortepiano from Vienna
From Fortepiano to Modern Piano: A Case Study of a Performer–Composer Collaboration
From Fortepiano to Modern Piano: A Case Study of a Performer–Composer Collaboration
Vspominaja letnij otdykh. Sjuita dlja skripki i fortepiano
Guest Artist Recital: 2008-09-11 - Luis Sanchez, fortepiano
Anderszewski/Beethoven. Fortepiano Concerto No. 1 in C Major. Opus 15 [37:49]. Six Bagatelles, Opus 126 [20:21]
Beethoven's Erard Piano: Its Influence on His Compositions and on Viennese Fortepiano Building
The acoustics of tangent−string interaction in the clavichord compared to hammer−string interaction in the fortepiano
Fortepiano
Fortepiano
The Viennese Fortepiano of the Late 18th Century
The Invention of the Fortepiano as Intellectual History
Robert, Clara, Johannes and a fortepiano from Vienna
From Fortepiano to Modern Piano: A Case Study of a Performer–Composer Collaboration
From Fortepiano to Modern Piano: A Case Study of a Performer–Composer Collaboration
Vspominaja letnij otdykh. Sjuita dlja skripki i fortepiano
Guest Artist Recital: 2008-09-11 - Luis Sanchez, fortepiano
Anderszewski/Beethoven. Fortepiano Concerto No. 1 in C Major. Opus 15 [37:49]. Six Bagatelles, Opus 126 [20:21]
Beethoven's Erard Piano: Its Influence on His Compositions and on Viennese Fortepiano Building
The acoustics of tangent−string interaction in the clavichord compared to hammer−string interaction in the fortepiano